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Black Sabbath’s first manager pays tribute to ‘irreplaceable’ Ozzy Osbourne

He was the manager for the band's first two albums, "Black Sabbath" and "Paranoid."

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Jim Simpson sits on the Black Sabbath bench in Birmingham. (Dyson Media via SWNS)

By Adam Dutton

Black Sabbath's first manager has paid tribute to Ozzy Osbourne following his death and declared: "He's simply irreplaceable."

Music promoter Jim Simpson first heard the band at his Henry’s Blueshouse venue above The Crown pub in 1968, when they were named Earth.

Ozzy and co asked Jim to become their manager and the first thing he did was to insist on a name-change to Black Sabbath.

Jim’s Big Bear Music Agency got to work on the band’s datesheet, fixing gigs, radio and TV throughout the UK and Europe.

He eventually landed them a major international record deal after fourteen straight rejections from major labels.

Jim was the manager for their first two albums, "Black Sabbath" and "Paranoid," which had combined sales of 14.8 million.

Black Sabbath had to wait 43 years for their only other number one album – “13”.

Today (Wed), Jim, who is still running Big Bear Music in his 80s, paid tribute to Ozzy, who he knew before his "wild days" when he was a "sensitive" young man.

The band Earth, later to become Black Sabbath. (Jim Simpson via SWNS)

He said: “He’s simply irreplaceable, it’s a very sad day. No one is going to take his place.

"He was always one of the good guys. He was a really sweet man, a really sweet natured man and always a pleasure to be with.

"The last time I saw him was when Ozzy was given his star on Broad Street's Walk of Fame.

"We had tea together in the green room, which was in the International Convention Centre across the street.

"It was just him, me and his two aunties and he was lovely towards them.

"He was going: 'Auntie, would you like another cup of tea?' They’d say 'get me a tea John'.

"This was not the bat head biting off Ozzy Osbourne that the world knows.

"I was very close to him, but I’ve had nothing to do with Sabbath since 1970.

“All these things you read about Ozzy are totally alien to me. All the things I know about Ozzy is that he was very sensitive, he was good to be with and wasn’t wild.

“My knowledge of Ozzy spans two-and-a-half years in the late 60s - and he was just lovely."

Ozzy Osbourne, second from the left, died at age 76. (Jim Simpson via SWNS)

This week Jim is releasing an album of long-lost recordings from Ozzy's pre-Black Sabbath days after they were unearthed 57 years on.

The previously unheard tracks were recorded by Jim during the foursome’s early days.

Jim added: “These recordings clearly demonstrate what fine music they produced right from the very beginning.

"We recorded these tracks at Zella Studio in Birmingham in 1969, but held back from releasing them as their style was evolving so quickly.

“Now, some 57 years later, the recordings assume a greater importance, illustrating how these four young men from Birmingham, barely out of their teens, were excellent musicians and a fine band, fully deserving of all the success that was to come their way.”

The new album begins with three blues covers: Blue Suede Shoes, Evenin’ and Wee Wee Baby.

(Jim Simpson via SWNS)

There are two versions of a track called Song For Jim, the name in the title referring directly to their first manager.

On his sleeve notes, Jim writes: “On Henry’s opening night, two local youngsters joined, one a singer [Ozzy], the other a guitarist [Iommi], who were in a blues band called Earth.

“An intermission spot was fixed, and Earth made an instant impact.

"They were immediately rebooked and soon promoted to the headline spot, quickly becoming Henry’s leading attraction.

“When the guys in Earth asked if I would become their manager, I agreed with alacrity.

"Thanks to the contacts I’d built up, I was able to immediately put them on the road through UK and Europe, playing not just clubs but also radio and TV in Europe.

“These recordings trace the development of Earth, from their days as a blues band through an experimental period to the very threshold of the music that propelled these four young men into the spotlight and defined Heavy Metal.”

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